|Charcoal on Board - very small K Howell 2012|
I've concluded that monochromatic is the way to go for these - something about the weight of shadow works better. I've yet to find the silvery light I'm after, so I'll pursue that seriously now. And see what works. Definitely an inside job, as the rain pours down.
These forms are grounding, stable. Solid, and yet empty. Full of contradictions. Seriously wonderful to play with.